couple of minutes are ground down by repetitive, what's-my-name
dialogue, events that are so understated so as to be sleep-inducing, and
a lead character that transcends enigmatic into apathy.
Oh dear.
Oh poo.
Oh dear.
Oh poo.
It's not the "sweet/sexy" lead.
It's not my on-again/off-again crush on Madeleine Stowe.
Nor is it my fascination with Henry Czerny who seems to be getting
YOUNGER since I first saw him in "Mission: Impossible" in '99.
I can do without the whispery/huskey little-girl-voice music.
It's genuinely INTERESTING. How's she gonna get her revenge?
She's off to a solid start with this ep, and if the IMDB FAQ is legit,
I'll get my jollies by season's end (so FUCK YOU Nina "'The Killing's
murderer will be revealed in the SECOND FUCKING SEASON" Sud) -
- but wait: aren't all writers liars?
OUR HEROINE's a bit of a slut - and she's on drugs! - but she may be
onto something (though the hand thing is a little thin, knowhumsayin).
And OUR (MAYBE) VILLAIN is holding back - why?
WHY?
Gonna try me another ep now.
Two minutes in: Kubrickian-wannabe looks and glances. Yawn.
Five minutes in: why do I get the feeling this is going leading up to a --
Yep.
Six minutes in: title on screen - "FIVE MONTHS EARLIER".
Fuck's sake.
Then a mere ten minutes into the season opener and my stomach's coiling
in on itself and I think: "I'd rather watch this with the Other Half."
Oh Sarah.
We'll always have Sunnydale.
We've watched two to three eps of this season these past consecutive
nights, with just two eps to go.
What a wonderful, exciting and suspenseful show!
Maybe I'm being more than a trifle unfair as I have only had a chance to
watch the first couple of minutes.
Unless she's kidnapped/ambushed/vaporised in the following few yet
unseen minutes, I think this pilot's got a bit of a handicap.
But will it avoid "The Shadow Line"'s final preposterousness and "The
Hour"'s end-whimper?
The guy from "Lost"!
From the co-writer of "Batman Begins"!
Guest starring the ex-wife from "Justified"!
How could it go wrong?
How about dialogue for narcoleptics?
How about plotting for dummies?
How about characters that... MOTHERFUCKSHITCOCKSUCKER.
You win some.
It was hard, I have to say, to accept that "The Wire"'s McNulty had
time-travelled back in time AND taken on a plummy accent, but after the
second episode, the foul-mouthed Baltimorean was forgotten in favour of
a silver-spoon-fed toff with a brain.
It ended with a bit of a - not so much a whimper - but an exhalation of
breath, not helped by a noticeably weak penultimate ep, but still, it
didn't fail as awfully as "The Shadow Line".
Yeah, I'll try another season.